99 Best Must-Watch Movies of All Time Movie Bucket List

3 lipca, 2023 Wyłączono przez admin

When Gladiator hit theaters in 2000, there hadn’t been a serious “sword-and-sandals” epic in a long, long time. Director Ridley Scott and star Russell Crowe removed all of the stock cheesiness that had come to define the genre and delivered a powerful historical epic that mixed a painstaking recreation of ancient Rome with some legitimate stand-up-and-cheer action sequences. Based on a rare non-horror short story by Stephen King, Shawshank Redemption stars Tim Robbins and Morgan Freeman as inmates who develop a friendship over time in a harsh prison in 1950s Maine. What makes this movie exceptional is, first and foremost, the chemistry between the two leads—this is a high point in the careers of both Robbins and Freeman (which is saying something). The other thing is the unexpected twists and turns of the story that veer from dour to tragic to comic to…unexpectedly hopeful.

She regularly contributes to Cosmopolitan, Woman’s Day, Good Housekeeping, and YouGov, among other publications. When she’s not working, you can find her running, traveling, or scrolling TikTok. Sigourney Weaver ushered in the era of the female sci-fi hero as Ripley in Alien, the first entry into Ridley Scott’s extra-terrestrial horror franchise.

It feels almost a disservice to call Rosemary’s Baby a “horror film,” because although the story of a young couple who move into an apartment building populated by Satanists certainly fits the bill, this is not a horror movie in the traditional sense. A scary story made for people who normally avoid such things, the movie eschews jump scares and gore for a mounting sense of dread, tantalizing glimpses of the unusual, and a surreal final punchline. Gripping and artful, it’s a benchmark for the genre that had come a long way from old castles and bats.


  • The order reflects Tomatometer scores (as of December 31, 2021) after adjustment from our ranking formula, which compensates for variation in the number of reviews when comparing movies or TV shows.
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  • Guided by Wright’s expressively interior performance and Jesse Chatham and Erin Dignam’s spartan script, the film captures the universal desire for escape in the face of grief, and the way resurrection often comes from accepting death as an inescapable facet of life.
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  • Boogie Nights recreates such a specific time and place—in this case, the San Fernando Valley at the tail end of the 1970s—so perfectly, it feels almost like it was made at that time, too.
  • ” are definite standouts—and a slew of ingeniously unique characters and designs, this is like literally nothing else you’ve ever seen.
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  • Everything that comes to mind when you hear the words “Martin Scorsese movie” is encapsulated in Goodfellas.
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  • They seem to question not only the aspects of human experience they represent, but also their own methods and assumptions.

You see Benedict Cumberbatch, who plays its tormented villain, and in his strut you also see John Wayne, Gary Cooper, Clint Eastwood. You see the sweep of the western genre, the men and women you know, the world you live in. The story of a married couple (Donald Sutherland and Julie Christie) who are grieving the death of their young daughter forms the basis of Don’t Look Now, a movie that appears at first to be a look at love and loss but then hits you with an absolutely unexpected and, frankly, terrifying ending. The less you know, the better, but it’s a movie that lulls you along at a slow pace while planting powerful visual images in your head along the way—you won’t soon forget any of it long after it’s over. The two leads’ extraordinary performances do a lot of the heavy lifting, too.

Any family is going to have some dysfunction—especially when trapped in an automobile together—but ultimately their squabbles feel unimportant when the purpose of their journey is revealed. Park Chan-wook is a director’s director—an auteur who is regularly lauded by the likes of Quentin Tarantino https://www.tungnanews.com/ and Spike Lee (who had the temerity to mount his own version of Oldboy a decade after Chan-wook’s film shook viewers). While he’s known for his keen ability to turn acts of extreme violence into beautiful movie moments, one might argue that Decision to Leave is the auteur’s tamest effort.

A recent graduate tries his best to avoid planning his future and instead has a tryst with a married woman before falling for the woman’s daughter. Funny, satirical, and masterfully acted all around, it’s a real gem that deserves its place among the all-time classics. This is the movie that really cemented Robin Williams as a gargantuan talent. Everyone knew he was funny, but few movies corralled his gift for inspired improv with his sizable talent as a dramatic actor. Dead Poets Society is about a progressive teacher who comes to a repressive boarding school and inspires his students to be free thinkers despite the concerns of the conservative staff and the boys’ disapproving parents. Williams is remarkable, but so are the kids, led by future stars Robert Sean Leonard and Ethan Hawke.

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When a man mysteriously plummets to his death from a mountain, detective Jang Hae-joon (Park Hae-il) is sent to determine if he could have been murdered. Ultimately, he begins to suspect that the dead man’s wife, Song Seo-rae (Tang Wei) might be the guilty party … but he’s also starting to fall for her. It’s not a new trope, but in this director’s hands it may as well be. Jordan Peele’s Nope didn’t make as much noise as Get Out or Us, but it might be the director’s most accomplished film. Daniel Kaluuya and Keke Palmer star as OJ and Em Haywood, siblings who—with their father Otis (Keith David)—provide and train horses for film and TV productions. When Otis is killed by a coin falling from the sky, OJ and Em set out to investigate.

Leave it to director Rob Reiner and writer Nora Ephron to create a romantic comedy about two people determined not to be in a romantic comedy. Tracing the relationship of Harry (Billy Crystal) and Sally (Meg Ryan) as they meet, break up, get back together, break up, etc. is anything but overly cute and schmaltzy—it’s incredibly funny, sharp, sarcastic, and, before it ends, genuinely romantic. Movies are generally meant to be entertainment, but every so often it’s good to remind yourself that they can be more than that. Jeanne Dielman by French director Chantal Akerman runs three and a half hours long and forces you to watch a lonely French woman painstakingly go about her daily routine. ” It’s not a movie to pop on when you want to kick back and just enjoy a good show, but it’s an astounding example of just how far movies can push the envelope. Prior to Psycho, the idea of a “horror movie” still involved cobwebbed castles and Eastern European actors in plastic fangs and capes.

It’s the kind of good movie that runs you through the gamut of emotion but rewards you for the journey. When it comes to cultural touchstones, few things have the power of good movies. You don’t even have to have seen a Rocky movie to know Bill Conti’s iconic score, and people throw around lines like “These go to 11” or “I’ll have what she’s having” even if they haven’t actually seen This is Spinal Tap or When Harry Met Sally.